Churning the Echoes moves away from separate scenes of memory toward creating an immersive installation. Natural materials, found objects, and repeated slip casts are placed on simple platforms and an unfinished wall, forming a temporary space lit by focused light. Like a constructed stage, the installation reflects how memories—especially those that are unstable or incomplete—are constructed and changed over time. The work evokes a liminal third space, suspended between interior and exterior, where echoes of memory are continually churned and re-remembered. The incomplete, makeshift qualities mirror the unstable architecture of memory itself—a terrain shaped as much by absence as by presence, by what is recalled and what is imagined.